By Golly, Ollie!

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Tag: literary fiction

  • Eggshells by Caitriona Lally

    Eggshells by Caitriona Lally

    I had a friend in high school who was a little left of center. She never cut her hair. She never wore matching shoes. And she never cleaned her room. She cried when she broke a nail… and then taped the tip back on. She only listened to the Beatles, Kylie Minogue, and the Powerpuff Girls OST. And she only watched the Twilight Zone, Powerpuff Girls, and Sailor Moon. She collected (and I assume played with) dolls. She still collects (and I assume plays with) dolls. She had a high pitch, chirpy voice, and an even higher pitched laugh that sometimes sounded like she was screaming if she thought something was particularly funny. She colored strips of paper with pens and markers and taped them into bracelets, and then she wore them. Unless they broke…then she would toss them into her clear, plastic backpack, where they would collect at the bottom along with pencil shavings, empty Frutopia bottles, pen caps with erasers, and incomplete math homework.

    She is the best writer I’ve ever known. She is an enigma. She’s probably the only reason why I had real friends in middle school and high school. And this is who I thought about when I read Eggshells by Caitriona Lally.

    I thought I preferred character-driven novels over everything else, but I was wrong. And, the thing about Eggshells by Caitriona Lally is it’s 100% character driven. That’s not to say I didn’t enjoy Eggshells. That’s far from the truth. But, I did find the novel to be…exhausting. Vivian, like my friend from high school, is a little left of center. Her behavior is extremely quirky (which, is just a polite way of saying, she’s a weirdo), and at first I found it charming and silly.

    I was amused when Vivian sent letters containing the ashes of her late Aunt Maud to 22 of Aunt Maud’s friends– one to each letter of the alphabet. Then she picks four unsuspecting citizens from the phone book to complete the alphabet. I even related to her when she repeated the word “bumble bee” so many times that it started to sound meaningless because I do the exact same thing with the word “purple”.

    Then, I felt sad for her when she felt confident that a letter sent via message in a bottle across oceans would get to her friend more safely than through the postal service. And that’s just barely scratching the surface. He whole perspective of the world is so abstract and bizarre, and it began to wear on me. I felt like my ability to enjoy this book depended on how well I accepted and appreciated Vivian, and perhaps she’s a bit too much of a social pariah for my tastes. In the end, I just felt overwhelmed by her, but maybe that’s the point.

    What I really found myself sticking around for was Lally’s writing. It was poetic and clever and humorous (not in a laugh-out-loud sort of way, but subtly so). But even that was hard– sticking around for 250+ pages just because stylistically Lally’s writing is amazing.

    In the end, would I recommend this book? Absolutely. Just make sure you understand what you’re picking up.

    Are you a fan of character driven novels? What are some of your favorites?


    Eggshells by Caitriona Lally

    Released: May 2014
    Genre: Literary Fiction
    Age Group: Adult

    [goodreads | indiebound]

    Vivian doesn’t feel like she fits in – and never has. As a child, she was so whimsical that her parents told her she was “left by fairies.” Now, living alone in Dublin, the neighbors treat her like she’s crazy, her older sister condescends to her, social workers seem to have registered her as troubled, and she hasn’t a friend in the world.

    So, she decides it’s time to change her life: She begins by advertising for a friend. Not just any friend. She wants one named Penelope. Meanwhile, she roams the city, mapping out a new neighborhood every day, seeking her escape route to a better world, the other world her parents told her she came from. And then one day someone named Penelope answers her ad for a friend. And from that moment on, Vivian’s life begins to change.

    Debut author Caitriona Lally offers readers an exhilaratingly fresh take on the Irish love for lyricism, humor, and inventive wordplay in a book that is, in itself, deeply charming, and deeply moving.

    This novel was received for free in exchange for an honest review as a part of TLC Book Tours
  • How Does a Flying Goat Dance? | Little is Left to Tell by Steven Hendricks

    How Does a Flying Goat Dance? | Little is Left to Tell by Steven Hendricks

    I sense that reviews for Little is Left to Tell by Steven Hendricks are going to be…quite polar. There will be readers who grant this novel copious amounts of stars for its beautifully written prose. For being challenging and complex. For being a masterful blend of reality and the surreal. Then, there will be readers who just leave the stars on the table as they stare at a blank screen thinking, “What the hell did I just read?” and “I don’t have any words to express what I’ve just experienced because the rabbit named Hart Crane ate them all.” Folks…I am the latter.

    (more…)

  • Book Report: Office Girl by Joe Meno

    Office Girl by Joe Meno

    Office Girl by Joe Meno
    Released:
    June 2012
    Publisher: Akashic Books
    Add to Goodreads
    ★★★☆☆
    Synopsis:
    No one dies in Office Girl. Nobody talks about the international political situation. There is no mention of any economic collapse. Nothing takes place during a World War.

    Instead, this novel is about young people doing interesting things in the final moments of the last century. Odile is a lovely twenty-three-year-old art-school dropout, a minor vandal, and a hopeless dreamer. Jack is a twenty-five-year-old shirker who’s most happy capturing the endless noises of the city on his out-of-date tape recorder. Together they decide to start their own art movement in defiance of a contemporary culture made dull by both the tedious and the obvious. Set in February 1999—just before the end of one world and the beginning of another—Office Girl is the story of two people caught between the uncertainty of their futures and the all-too-brief moments of modern life.

    Joe Meno’s latest novel also features black-and-white illustrations by renowned artist Cody Hudson and photographs by visionary photographer Todd Baxter.

     

    My Thoughts

    It’s easy to write a review about the books that I adore and would encourage every single person in the universe to read. It’s even easier to write a review for a book that I loathe. But the stuff in the middle? The books that were decent but otherwise didn’t conjure up any emotions? Those reviews are the hardest to write. Such is the case with Joe Meno’s Office Girl.

    Office Girl is a short novel about a romance that came and went. Most of the stuff in the middle is about Jack and Odile falling for each other while Odile subsequently tries “sticking it to the man” with her art projects. Maybe this is amusing you’re a fan of guerrilla art, but it left me feeling indifferent. For me, most of the book falls into the realm of mediocrity, though I did find the ending to be redeeming. I don’t mean that in a snarky sense either. I really do mean the ending was perfect. It doesn’t suffer from a case of the rom-coms, where everything is pieced together and wrapped up in a pleasant little bow. It seemed realistic, and despite its bittersweet-ness, it left me feeling positive and fulfilled.

    I figured Office Girl was one of those books that has to be read by a certain age so it can resonate with the reader. Kind of like Catcher in the Rye, maybe. And considering I am around the same age as the characters in the book, I figured Office Girl would be the same kind of mind-blowing amazing that was Meno’s Hairstyles of the Damned back when I was in high school. Office Girl wasn’t though. Mostly I just found the characters to be kind of annoying and whiny and too angsty to be 24 years old. Okay, maybe I’m being a little harsh on Jack. He was actually a pretty interesting character, but Odile was too much of a hipster for me to appreciate. She caused me to suffer eye strain as a result of massive eye rolls.

    Overall,
    I’m not saying I hated Office Girl. I’m not even saying I disliked the book. I just didn’t think it was as good as some of Meno’s works that I was introduced to prior. Had I not approached Office Girl with expectations, I may have enjoyed it more.

  • The Great Perhaps by Joe Meno

    The Great Perhaps by Joe Meno

    I’ve never met a book by Joe Meno that I didn’t like, and The Great Perhaps is no different. The novel, with it’s lyrical and darkly funny prose, rotates between members of the Casper family– each chapter digging into their quirks and revealing a family on the verge of a breakdown.

    This is what I liked:

    • Meno showcases his experimental storytelling once more by mixing prose with illustrations, transcripts from old radio serials, and declassified government documents.
    • Realistic teenage dialogue and insight that he has more than perfected in his past novels (Hairstyles of the Damned, The Boy Detective Fails)
    • In my personal experience, the characters evoked an array of emotions.  Just when I begin to think, “Wow, I’m glad I don’t know people like this,” another side of their humanity is revealed, and I couldn’t help feeling sympathetic.

    This is what I didn’t like

    • Albeit interesting, I felt the grandfather’s narrative was uninspired compared to the other family members’.
    • Absolutely, under no circumstances read The Great Perhaps on an e-reader (at least not the Nook; I can’t vouch for other e-readers).  The price tag of $2.59 is alluring, but there is a reason for that.  The e-reader version lacks the illustrations found in the print version.  Regretfully, I found this out the hard way.

    The Great Perhaps by Joe Meno

    The Great Perhaps by Joe Meno

    Released: January 2009
    Genre: Literary Fiction, Magical Realism
    Age Group: Adult

    [add to goodreads | IndieBound]

    From GoodReads:

    Jonathan, a paleontologist, is searching in vain for a prehistoric giant squid; his wife, Madeline, an animal behaviorist, cannot explain her failing experiment; their daughter Amelia is a disappointed teenage revolutionary; her younger sister, Thisbe, is on a frustrating search for God; and their grandfather, Henry, wants to disappear, limiting himself to eleven words a day, then ten, then nine – one less each day until he will speak no more. Each fears uncertainty and the possibilities that accompany it. When Jonathan and Madeline suddenly decide to separate, this nuclear family is split and forced to confront its cowardice, finally coming to appreciate the cloudiness of this modern age.